Skip to main content

All Questions

Tagged with
Filter by
Sorted by
Tagged with
8 votes
2 answers
5k views

Are all modes relative to Ionian (major) in Roman numeral analysis?

I saw in this Wikipedia article that there are a lot of flats and sharps in the modal natural chords. And I was wondering if it's because they all refer to Ionian. So in Aeolian the "bIII" chord is ...
user avatar
5 votes
2 answers
3k views

Using standard Roman numeral analysis how should 7th and 9th qualities be determined?

Example: C: V7 or inversions like C: V6/5 are understood to be dominant-seventh chords and C: V9 a dominant ninth chord with a diatonic, major ninth. I think the basic idea is all the Arabic ...
Michael Curtis's user avatar
11 votes
3 answers
4k views

Harmony and roman numeral analysis: how to deal with chromaticism?

I recently started playing piano. While learning and performing new pieces, I found that it helps me a lot to have some certainty of what's going on with the notes, the chords, and the harmony. I ...
TaylorSwiftFan5932's user avatar
9 votes
2 answers
7k views

Differentiating between II and II7 (secondary dominant V of V)

I'm studying harmony and start to make roman numeral analysis on Bach pieces. I often mistake a II (second degree) for a secondary dominant on the 2nd degree(V7 of V). I guess there are some notes ...
kurto's user avatar
  • 749
4 votes
2 answers
2k views

Roman Numeral Chords with Slash

This chart has a listing for a chord V/1 and I'm having trouble interpreting this chord, specifically the "/1" part. I think the "/1" part might have one of the following meanings....
marcAKAmarc's user avatar
0 votes
1 answer
608 views

Roman numeral analysis of chord with non-chord tone in bass

We use figured bass notation to help indicate chords in inversion by establishing the interval between the bass note and the other notes of the chord. I have seen figured-bass symbols applied to ...
286642's user avatar
  • 1,406