New answers tagged pop-music
0
votes
When do you include the bass note of a chord if the bass is the b9?
I'm pretty sure the actual chord isn't Dm7b9.
The way I see it: there are two kinds of slash chords:
Chord inversions: here the actual (full) chord is written before the slash, and an alternative ...
4
votes
When do you include the bass note of a chord if the bass is the b9?
Context is all. But I’d hazard a pretty confident guess that the E♭ isn’t part of the upper structure but purely the bass note. ( Maybe the tonic or dominant? Is there a string of chords all over an ...
3
votes
When do you include the bass note of a chord if the bass is the b9?
As others have commented, first, probably readibility suggests Dm7/Eb.
It might depend whether that Eb is some sort of ostinato... so that the Dm7 is a "passing" harmony, ... or perhaps the ...
5
votes
When do you include the bass note of a chord if the bass is the b9?
Dm7/Eb is sufficient in this case. It is better than Dm7b9/Eb, because it better suggests the voicing – normally b9 should be above the root, in a higher octave.
Interesting chord... I wonder, is it a ...
5
votes
When do you include the bass note of a chord if the bass is the b9?
Dm7/E♭ would be preferable. On the basis that were there a bass player or the bass (slash) note could be played on a different instrument, a guitarist, for example, could simply play Dm7.
Dm7(♭9)/E♭ ...
Top 50 recent answers are included
Related Tags
pop-music × 70chord-progressions × 13
composition × 12
chords × 11
theory × 9
piano × 8
harmony × 7
chord-theory × 6
terminology × 6
melody × 6
musical-forms × 6
rhythm × 5
jazz × 5
rock-n-roll × 5
history × 4
classical-music × 4
scales × 3
key × 3
keyboard × 3
analysis × 3
songwriting × 3
technique × 2
voice × 2
time-signatures × 2
drums × 2