Questions tagged [baroque-period]
A time period in Western art music spanning between 1600-1760 CE, approximately.
101
questions
4
votes
3answers
76 views
What do these notation marks mean?
So recently I have got this piece for a classical guitar (probably originally for some kind of lute) - Chaconne by Anonymous from Schwerin
It's full of misterious parentheses, and I have failed to ...
2
votes
1answer
53 views
Where to get a feedback on composed baroque music? [closed]
I am trying to write music in baroque style. Are there places (on Internet) where I could get feedback on my compositions?
6
votes
2answers
126 views
What is the difference between a ciaccona (chaconne) and a passacaglia?
Wikipedia says that a ciaccona (chaconne) is a musical composition involving variations on a harmonic progression or melody (motif), similar to the passacaglia. Both originated from Spain in the ...
6
votes
2answers
652 views
What is this symbol?
This symbol from Les Baricades Mistérieuses, Couperin, 1717.
From recordings I can only guess a mordent. I've checked various music dictionaries and done several reverse image searches, all without a ...
5
votes
1answer
106 views
In the partimento tradition, what strategies were used to harmonize non-bass melodies?
In my readings on partimento theory (mainly the books by Sanguinetti and IJzerman) I have so far only encountered rules for harmonizing a bass melody. This is to be expected of course, because ...
5
votes
2answers
442 views
Should you play baroque pieces a semitone lower?
I haven't really been able to find an answer to this question. I've only noticed that most instruments during the baroque period were tuned a semitone lower (A=415 Hz I believe). So shouldn't it make ...
1
vote
1answer
55 views
What makes two dances that share the same meter and a similar tempo different?
Common practice music employs only a small handful of time signatures, but there is a multitude of different dances. The steps are different. But is there something other than meter and tempo that ...
6
votes
1answer
158 views
What does an isolated horizontal dash mean in figured bass notation
Here you see a fragment from Francesco Geminiani's Guida Armonica (ca. 1752), a sort of 'dictionary' or catalogue of figured bass snippets. My question is, what do the isolated horizontal dashes mean ...
7
votes
3answers
89 views
Placing the downbeats in this five-bar passage in Bach's Italian Concerto
I am asking about bars 13-19 in the first movement of J.S. Bach's Italian Concerto (BWV 971; sheet music). My ear always hears bar 13 plus the first crotchet of 14 as one extended bar of 3/4 and then ...
4
votes
2answers
135 views
Which type of trumpet is typically used to perform Bach Brandenburg 2
Could anyone explain how to choose what design of trumpet to perform Brandenburg 2 on? I'd expect it to be performed on a Bb piccolo trumpet - but there are three-valve and four-valve piccolos, and ...
4
votes
1answer
91 views
What was the shortest note length commonly used during baroque period?
Eighth and sixteenth notes were obviously common enough. I've also seen some examples of 1/32 and 1/64 (link). Were 1/32 and 1/64 used frequently? And what was the shortest note length commonly used ...
9
votes
1answer
556 views
What is this particular type of chord progression, common in classical music, called?
I don't know anything about music theory but I am a fanatic when it comes to listening to classical music. For a while I have been curious about a type of chord progression which is very common in ...
4
votes
4answers
115 views
5/7b in figured bass
What does 5/7b mean in figured bass?
If it is just a 7th chord in root position, then why is it not just 7b?
In other places in the same score, 7 or 7b are used to denote a 7th chord.
Here is the ...
3
votes
2answers
65 views
Figured bass and ties
How does one play figured bass when the bass line contains ties?
For example, here are the first three measures of Vivaldi's "Filiae maestae Jerusalem" (sheet music source).
Do I understand ...
8
votes
1answer
176 views
Baroque notation question
Here's a snippet from a 1624 facsimile of Juan Arañés' "Libro Segundo de Tonos y Villancicos".
This is a rather syncopated, lively song, with a time signature of C3.
Note values seem to be ...
5
votes
1answer
64 views
Renaissance or Baroque pieces with no instrumentation
I found out today that Michael Praetorius's Terpsichore is written with no indication about what instruments to use. I knew that the Art of the Fugue doesn't have instrumentation either, but I'd ...
12
votes
4answers
3k views
A♭ major 9th chord in Bach is unexpectedly dissonant/jazzy
Measures 21-24 in Prelude VII from Bach's Well Tempered Clavier I
I was looking at the Prelude VII by Bach and noticed that on the measure 23 Bach ended that phrase with a A♭ maj9 chord. I was ...
-1
votes
1answer
27 views
Is this composition from S.L. Weiss the “Suite no. 4” or the “Sonata no. 5”? [closed]
I have seen this composition being referenced many times using different terminology. One thing that is common among all denominations is that it's in G Major.
Here is it referred to as the Sonata 5, ...
4
votes
3answers
403 views
What are some nice/clever ways to introduce the tonic's dominant seventh chord?
I'm in C minor and want to modulate to its subdominant key of F minor. One way to do this is to introduce the tonic flat seventh chord C-E-G-B♭, which is the dominant seventh chord of F minor. ...
3
votes
3answers
229 views
Combining forms to make a new musical form
Has there ever been a composer between Baroque and early Romantic periods (within piano literature) who created a new form based on a combination of previously separate forms into a new iteration or ...
2
votes
1answer
141 views
Baroque mordent with leading “slur”?
I'm currently studying Bach's Harpsichord Concerto BWV 1052 on the piano and arrived at the second movement. In there, I noticed a mordent that I'm not all too sure how to play. Here's a picture, it's ...
2
votes
1answer
92 views
Two different approaches to the mordent in one piece in baroque? [duplicate]
I've got a question regarding the mordent over the two different notes with different realization in Bach's Partita No.4 Aria (as in the image). The first one starts from a note above while the second ...
1
vote
3answers
563 views
Should I practice some J.S. Bach for piano technique and where should I start?
I want to know if playing J.S. Bach would improve my overall piano technique. I look for pieces that help me to become better. I usually play romantic composers. I have played pieces such as
Chopin'...
4
votes
2answers
104 views
How to realize the figured bass of the second movement of BWV 1014?
I am planning a performance of the second movement of Bach's violin sonata BWV 1014 in B Minor. The beginning of second mvt, Allegro is shown below.
As you can see there are some figured bass below ...
5
votes
2answers
538 views
What does the plus (+) ornament mean?
I am learning a baroque piece on the recorder. Some notes have an unusual ornamentation symbol. How is a note with a plus sign over it played? It was suggested to play it as a mordent. Is that correct?...
3
votes
0answers
90 views
I wrote a subject for a fugue which I wanted to write. Is it adequate? [closed]
Hi, I'm having trouble writing a fugue. I wrote this subject and also two different counter-subjects, but I'm not sure how to really introduce all the voices for the exposition. Is the subject two ...
3
votes
2answers
239 views
Are Baroque Bassoons more difficult to play?
In an article introducing The Breaking Winds Bassoon Quartet, it mentions that
The muffled, dark-sounding bassoon of the baroque era was so hard to
play in tune that composers didn't write solos ...
3
votes
0answers
154 views
Difference between baroque and classical keyboard concertos
I'm trying to compare a Baroque Harpsichord Concerto with a Classical Piano Concerto. But I'm just wondering in what aspects that the Baroque Concertos influenced the Classical Piano Concerto. I am ...
-2
votes
1answer
132 views
Who copied who, and why?
In the Baroque era we have Bach and Telemann.
Bach's Brandenburg Concerto No.5 in D Major and Telemann's Viola Concerto in G Major: Presto sound the same.
What's up with that?
2
votes
1answer
103 views
“Row, row, row your boat” and Telemann's Concerto in B Flat TWV44:43
Does the same rhythm from "Row, row, row your boat" copy the ending of Telemann's Concerto?
It appears lots of music copied the style of the Baroque era.
8
votes
1answer
204 views
Why does the conductor also play harpsichord when there is already a harpsichordist in the orchestra?
When listening to Baroque chamber music, it is not uncommon to see the harpsichordist or the soloist being also the conductor.
However, there were two harpsichords in this concert, one dual manual ...
7
votes
1answer
439 views
Is this entire movement by Bach really only a single measure with just two chords?
I'm spending a lot more time with early music, and as I was studying the score to J. S. Bach's third Brandenburg Concerto, I encountered something unexpected: an entire Adagio movement that's only one ...
7
votes
2answers
376 views
Did Bach use the Partimento technique?
I was researching techniques used in classical improvisation. And I keep coming across two terms. One is "Partimento". Which is an Italian method of improvising on a bass line. Another is "The Rule of ...
1
vote
1answer
55 views
A question regarding transposition and fugal answers
Is it compulsory to introduce the answer of a fugue at +5 or -4 scale degrees relative to the home key? I'm not asking whether it's necessary to transpose the answer; my question is whether ...
1
vote
1answer
65 views
Does basso continuo make it unnecessary to have a Director?
I was watching a baroque violin concert on Youtube and there was one person in the comments section talking about the uselessness of having a Director, since the concert included a basso continuo.
...
6
votes
3answers
469 views
What is this old time signature (2 with a vertical line through it)?
On the fourth line of page 5 of the score of Fasch's Ouverture-Suite in F major, one reads a time signature that is the number 2 with a vertical line through it:
What does it mean? I know some '...
16
votes
3answers
224 views
What is the historically informed way of playing the 1/16 notes in Handel's Water Music suite no. 1 overture?
Handel's Water Music suite no. 1 starts with a slow overture with 1/16 notes at the middle and end of each measure:
Some performances play it "as written" [Koopman], but some play the 1/16 notes ...
6
votes
2answers
320 views
Functional analysis of chorale 'Wie wunderbarlich ist doch diese Strafe' BWV 244/46
I did some analysis of the chorale 'Wie wunderbarlich ist doch diese Strafe' (from Matthew Passion BWV 244 no.46), see below. But how would I analyse the first chord in measure 2? Obviously, it's an E ...
1
vote
1answer
342 views
Piano: how to play (arpeggios in) music written for harpsichord
I'm playing Bach's Partita for harpsichord BWV 830 on piano (I don't play harpsichord), but this is a more general question really for other Bach keyboard music and also any keyboard music that was ...
2
votes
2answers
216 views
In the baroque period, did soloists play all the way through concertos?
In most recordings of baroque concertos that I've heard, the soloist plays straight through without stopping, especially in the first movement. While there are marked solo sections where the soloist ...
8
votes
3answers
220 views
In which music should I add my own embellishments?
I know that music from the baroque era was composed with the assumption that performers would add their own embellishments (when viable, not for canons or fugues). I've also heard that Mozart didn't ...
2
votes
3answers
654 views
Important composers in transitional eras
I understand Beethoven (and Schubert) to be very important composers in the transition from the Classical Era to the Romantic, such that they could be considered the first Romantic composers.
Are ...
2
votes
2answers
194 views
Determining dynamics of individual parts in music group
I have been lately wondering how to determine dynamics of individual parts in music group. As we all know sheet music many times doesn't provide all dynamics and phrasing.
It seems obvious to me, ...
15
votes
3answers
561 views
Is the Baroque Schleifer, slide, or glissando symbol evolved from the Gregorian chant quilisma?
I posted this question on Wikipedia a year ago, with no answers. These two musical signs look eerily similar.
The Baroque Schleifer or slide (see Wikipedia page):
The quilisma in Gregorian chant (...
1
vote
2answers
63 views
Define Apoggiato
I came across this term, Apoggiato. In baroque music, is understand that this means the notes of a piece marked thus should be quite smoothly connected, almost portato.
The Online Musical Dictionary ...
2
votes
0answers
114 views
Bach's keyboard concertos on fortepiano?
It is known that J.S.Bach was acquainted with the fortepiano at least twice in his life, in 1726 when he played one of Silbermann's experimental models (and mildly criticized it), and toward the end ...
3
votes
1answer
155 views
Is there a standard non-Fux counterpoint method?
The OP for this question refers to a rule for second-species counterpoint which isn't mentioned in Fux's Gradus ad Parnassum. The answer confirms it, and adds yet another rule, referring to "strict ...
1
vote
3answers
831 views
Baroque keyboard music
I'm playing Bach French suite no.5 in G major BWV 816 for ATCL diploma exam. This suite was composed in Baroque period, so should I play staccato on each notes? Should I use a bit pedal? Because the ...
7
votes
3answers
2k views
The Basso Continuo and the Jazz Rhythm Section
I've seen many musicologists compare the Basso Continuo of the Baroque Era to the Jazz Rhythm Section, an analogy which I think is valid and understandable. Here's one reference (of many) that I ...
2
votes
1answer
5k views
What's so important about Venice in the Baroque period?
Many famous Baroque musicians and composers, for example Vivaldi, were children of Venice and did their work there.
What other reasons are there for Venice being a great spawning ground for Baroque ...
