Questions tagged [chopin]

Chopin was a romantic composer who lived from 1810 to 1849 and wrote mainly - almost only - for the piano.

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1answer
65 views

How to highlight top note while playing triads / intervals

I am trying to learn funeral march op 35 by Chopin and the initial motive is played using some intervals in which the top note should be the melody thus should be louder then the other notes you are ...
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3answers
870 views

Can you tonicize to a chord that's not on the original key?

I had a discussion with a few people on Chopin's Nocturne in B-flat minor. We couldn't reach an agreement and I'm curious how people would analyze it. In the middle section of the piece (which is in ...
4
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1answer
169 views

Notation of measure 2 in Chopin's Prelude #4 in E minor

The first measure has G-B-E-B, i.e. E minor tonic chord, first inversion. Makes sense so far. Then the next measure is F♯-A-E-B followed by F♯-A-E♭-B , not so clear. According to this page the second ...
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0answers
64 views

Getting Chopin Ballade No. 1 up to tempo+keeping hands together [closed]

I am trying to learn Ballade No. 1 op. 23 by Chopin(2 as well, but that's not important to this) I have been playing for about 7 years, and I have been without a teacher for several years. My biggest ...
4
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2answers
102 views

Ways to play piano without tensing ones fingers

I am learning Fantasie impromptu C# minor op 66. right now, and my fingers tense up intensely near the ending of the first part before the slow transition; i.e., the place where you play all of the ...
3
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0answers
88 views

I can't feel anything from playing a piano piece anymore [duplicate]

I started learning the piano by the age of seven, I remember that my teacher taught me how to build an image about a piece I'm playing, I used to name the pieces myself, draw a painting for each of ...
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2answers
117 views

2 atypical cadences, are they half cadences?

So, I analyzed the harmony and structure of Grande Valse Brilliante op. 18, and most of the cadences make perfect sense to me, but there are 2 cadences that don't really, one on the tonic, which I can ...
5
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2answers
155 views

Did Chopin use hairpins (adjacent crescendo and decrescendo) to indicate rubato rather than dynamics?

In her answer to Liszt's B minor sonata crescendo, user @Madeleine writes: In many places in Chopin's music, he wrote hairpins ... to indicate rubato rather than a crescendo or decrescendo. The ...
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1answer
355 views

Help with fingering on Chopin's Nocturne op. 9 no.2 coda

I am trying to learn this nocturne and this fingering is really confusing to me. Why are three different, consecutive notes played with the same finger? Should I just "hop" from note to note,...
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3answers
130 views

Notation question natural followed by sharp Chopin Waltz in C sharp minor

In Chopin's Waltz in C sharp minor, I'm a bit confused by the following notation: The F has a natural, cancelling out the sharp in the key signature. But then it instantly becomes an F-sharp again. ...
2
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1answer
89 views

2/4 time signature, miscounting? [duplicate]

I'm trying to to practice my 2/4 time signature. Am I just making a stupid mistake with the attached image? They are 1/16th notes? so shouldn't there only be 8 of them to make up two beats and not 12? ...
3
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3answers
450 views

What is the harmony of this bar from Chopin's Minute waltz?

Consider following excerpt from Chopin's Minute waltz in D flat major. The last bar is the chord of D flat major (tonic). What is the chord of the penultimate bar? Why is there an A flat and A natural ...
5
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3answers
191 views

Fractional phrase length in Chopin's Nocturne Op. 62 No. 1

The main subject in Chopin's Nocturne Op. 9 No. 1 consists of two phrases that each begin with "B A# G# F# D#". However, they are not aligned relative to the barline, because it seems that ...
4
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1answer
189 views

Question on rhythmic interpretation of Chopin's Prelude Op 28 No 1 : Performance differs from score?

most of the bars in this short prelude have a clear rhythmic marking: Its all sextuplets and the right hand is clearly aligned with the left as the score indicates, where the right hand melody starts ...
2
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3answers
94 views

Leggierissimo line

The 3rd bar on the top has a run. They're written as 8th notes, but that doesn't make any sense to me. Why are they written as 8th notes? Or does it actually rhythmically make sense?
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2answers
87 views

Question on Chopin opus 25, number 12, on a note that is kept between two measures

In Chopin Etude opus 25, number 12, at measure 57, the last notes of left and right hand are supposed to be kept until the end of the first notes of measure 58. In my feeling, this is impossible to ...
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3answers
364 views

Chromatic parallel six-three chords

I am trying to follow Aldwell and Schachter’s analysis of Chopin’s Impromptu, Op. 29. I wanted to learn about chromatic voice leading techniques, but I ended up getting stuck simply with their ...
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2answers
89 views

Simplified Chopin Etudes (Op 10, No.11)

I was wondering if there are simplified versions of the Chopin Études. I am particularly interested in Chopin Étude Op 10, No. 11 (Arpeggio Étude). Image here This question is inspired by the ...
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2answers
101 views

Please help me with how to do the left hand [duplicate]

I am confused about how to play the left hand; I know that we have three sounds here but in the 3rd beat how can I hold the B and play another B? It makes sense for the first beat: hold the E and play ...
2
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2answers
447 views

Chopin's Etude Op. 25, Nr. 2

I am having a hard time to play this etude quietly when I increase the speed to full tempo. I play it fast and relaxed but still my right hand seems too loud at that speed. Especially the first two ...
9
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4answers
2k views

What is a B-flat major chord doing in the key of A minor?

The piece is Chopin's waltz in A minor op. 34 no. 2, measure 70: We seem to be in the key of A minor due to the cadences in measures 71 and 73. But B-flat major is not in the key of A minor (right?)...
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2answers
210 views

4th octave Eb in Chopin, should I trust that the flutist will get the note?

I am arranging Nocturne in Eb Op. 9 no. 2 for Flute and String Quartet and I have reached a spot where it is difficult for me to decide whether or not I should stick with the notes that Chopin wrote ...
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5answers
546 views

How does Sonata Form fit into a Waltz?

After analyzing Grande Valse Brillante Op. 18, I noticed something about the form of the waltz. I thought at first, that this waltz by Chopin is in ternary form, like most dance pieces. However, there ...
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4answers
158 views

What is this chord in Grande Valse Brilliante?

The chord circled in red is what I am asking about. I know that in the measure before, there is a diminished seventh chord. I'm certain that this is a dominant function chord(or at least, locally to ...
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1answer
1k views

How does Chopin Op. 48 No.1 fit in with the remaining nocturnes? Any biographical reasons?

I've played a couple Nocturnes over the years, but it's been a while since I revisited Op. 48 No. 1. And I'm again quite amazed by how technically challenging it is in comparison: The wide arpeggios ...
2
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1answer
65 views

question on Chopin opus 25 1 about left and right hands

For study of Chopin opus 25, study 1, at measure 8, 4th note, should we play the "right-hand note" (B flat) with left hand, and the "left-hand note" (D flat) with the right hand, instead to what seems ...
5
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2answers
122 views

Ballades (Chopin) Harmony Question

I don't listen to much classical; however, I recently found this beautiful work by Chopin. I am wondering if you could help me explain a particularly amazing moment in the piece. Please refer to ...
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1answer
1k views

What are the hardest Chopin piano pieces? [closed]

I understand that there is no definite answer to this question. In my opinion the Etudes, particularly Winter Wind, Op.25 No.6 and Op.10 No.1 are the hardest of his compositions. Others include his ...
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2answers
1k views

Weird acciaccatura (?) notation in Chopin's polonaise

I am not sure how to interpret the particular notation in Chopin's Op.53 Polonaise: Here, we have a single (smaller font) Eb (just before the trill). I should interpret it as a grace note, but then ...
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2answers
503 views

Composing a polonaise, anything else to consider?

So the thought has came to me several times to write a polonaise. I'm not Polish so I barely know anything about that side of the polonaise. But so far I have come across these commonalities across ...
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2answers
187 views

How should a melody be treated when switched from right to left hand?

For example, in Chopin's Etude Op 10, No. 4 (Torrent), the melody is initially in the right hand and it's accompanied by the left hand. A few bars after, the right takes over the same accompaniment ...
4
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1answer
178 views

Identifying piano notation symbol in Chopin Mazurka

I'm trying to identify what this symbol is (circled in pencil) in the sheet music for Mazurka no.4 op.17 by Chopin. It looks like two connected diamond shapes, and I can't find an explanation of it ...
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1answer
837 views

How to play fantasie impromptu by Chopin? [closed]

I can play Chopin's fantasie impromptu at low tempo, but I'm having trouble when increasing the tempo. My fingers don't move smoothly over 130 bpm and some notes get skipped automatically and ...
5
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4answers
826 views

How can I get my left hand to sound legato when I'm leaping?

Now, this Nocturne in Eb is the very first Chopin piece I ever learned. I have gotten to rhythmic precision with this, even in the sections with polyrhythms just by playing it frequently. Piano ...
5
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4answers
587 views

Fantaisie Impromptu - Specific fingering issue

I've been practicing Chopin's Fantaisie Impromptu for several weeks now, and while I'm by no means perfect at it, there aren't any aspects or parts of the piece that I am not confident I'll be able to ...
4
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1answer
1k views

Need help understanding the double sharp turn in Chopin's prelude in e minor [duplicate]

I need help understanding why the notes in this turn are B-A#-Gx-A#. I don't understand how the double sharp affects the turn. I would assume that instead of A# being the "base note" (for lack of a ...
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3answers
2k views

Chopin: marche funèbre bar 15 impossible place

Chopin sonata #2 Opus 35: Look at the left hand: Db from small octave and F from 1-st octave. Neither I, nor anybody of my acquaintances can stretch the hand so far. My idea was to replace F 1-t ...
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2answers
462 views

Arm pain and endurance when playing Revolution by Chopin on piano

I know this piece is mostly meant as a technical exercise for the left hand, but every time I practice it my arm gets too tired to continue after the first page. I've been practicing it regularly (30 ...
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3answers
1k views

How should I play strikethrough notes?

I'm currently practicing Chopin's Ballade No. 1 in G minor. In my Edition at the last page, in the sixth last bar, there are some strikethrough notes: How should I play them? I have never seen them ...
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1answer
514 views

Chopin Etude Op. 10 No. 1 bars 31-36: how to position 4th finger?

I've been studying this etude for one year now, using the exercises of Alfred Cortot in his student's edition. I am making steady progress but have a lot of problems with bars 31-32 and 35-36. There ...
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1answer
1k views

What makes a piece a nocturne?

I am wanting to compose a second nocturne. I composed my first one about a year ago and pretty much all the feedback I got was that it should have been written in 3/4 instead of 4/4. I wonder if that ...
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3answers
1k views

Comments of Chopin's contemporaries on his playing

I am researching about the kind of style Chopin himself would have had by drawing inferences from sources such as recordings of the 2nd generation pupils of Chopin and the comments of contemporaries ...
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1answer
184 views

How to write extended perfect authentic cadences

I am currently writing a Berceuse in the style of Chopin and I noticed in a lot of his music and that of other romantic composers in the final perfect authentic cadences they repeat it multiple times ...
2
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1answer
379 views

Why go back and forth between 2 time signatures if they have the same feel?

I don't see this very often but I do see it in 1 of Chopin's nocturnes. In particular his F major nocturne op. 15 no. 1 It switches back and forth measure by measure between 3/4 and 9/8, well at ...
2
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1answer
660 views

Descending trill in Chopin's Military Polonaise?

I looked at the sheet music of the Military Polonaise by Chopin that I have. I saw something which looks more difficult than even the fast speed or the octaves. I saw a descending trill. I have never ...
2
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1answer
901 views

Fantasie Impromptu and hand flexibility

I am thinking of perhaps learning Fantasie Impromptu soon. I have played a 4:3 polyrhythm before but not for longer than a measure. The piece in which I have encountered this polyrhythm is Nocturne Op....
2
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1answer
142 views

Chopin piano piece title "doubtful"?

I was listening to Pandora, and a piano piece by Chopin came on titled Nocturne for piano in C sharp minor (doubtful), KK Anh.IA/6 And I simply am wondering why is the key doubtful? Is that what'...
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2answers
105 views

Do classical recording artists learn and record each piece separately and then compile an album later?

Or do they learn all the pieces to perfection and then record them in longer sessions? For example, I am currently listening to Ronald Smith's complete Chopin compilation and it made me wonder if it ...
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2answers
6k views

Why did Chopin name Etude Op. 25, No.5 the "Wrong Note"?

The piece sounds lovely, why did he name it "Wrong Note"?
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1answer
621 views

How to play the trills in Chopin's Waltz in A minor Op 43 No 2

In Chopin's Waltz Op 43 No. 2 in A minor are some trills in the left hand. How many trills should be played in this bar and where to stop the trill, on E or on F? Also since the right hand starts ...